“...If Mozart had been transported to the South Asian subcontinent, this is what he and improvised Western classical music might have sounded like. This comparison is not thrown in to befuddle or impress. Kala Ramnath is a musician of giant-like qualities...” Ken Hunt, Jazzwise

Maestro Kala Ramnath with her “Singing Violin” stands among the world’s finest, most inspirational instrumentalists. Her playing has been featured on the Grammy-nominated Miles from India project, compositions of hers have appeared on the Grammy-winning album In 27 Pieces and the Kronos Quartet’s 50 For The Future. The UK-based Songlines magazine hailed Kala Ramnath as one of the 50 world’s best instrumentalists and selected album Kala as one of its 50 best recordings. She was the first Indian violinist ever to be featured in the violin Bible, The Strad. She was the subject of a solo essay in the third edition to The Encyclopedia- Rough Guide to World Music. Her contributions feature in Hollywood soundtracks like the Oscar-nominated Blood Diamond and many more.

In India she was awarded the illustrious Sangeet Natak Academy Puraskar for her contributions to the violin in Hindustani Classical Music. Born into a dynasty of prodigious musical talent, one which has given Indian music such violin legends as her paternal uncle Prof. T.N. Krishnan and paternal aunt Dr. N. Rajam, Kala’s violinistic vision began manifesting early. Recognizing her innate talent, her astute grandfather, Vidwan A. Narayan Iyer took her under his tutelage. Thus began her most auspicious journey to renown and international acclaim. She became a pre-eminent disciple of the legendary vocalist Pandit Jasraj. During this mentorship Kala began revolutionizing approaches to vocalized Hindustani violin technique. During this time she began formulating a technique unlike other Indian or non-Indian violinists that came to be dubbed ‘Singing Violin’.

Kala is at the vanguard of the present generation of Indian instrumental superstars. Due to her rigorous training in the Hindustani classical tradition – and familiarity with the Carnatic classical tradition - she comfortably forges musical alliances with artists of renown from different genres around the globe incorporating elements of Western classical, jazz, flamenco and traditional African music into her rich and varied repertoire and has collaborated with music legends like George Brooks, Kai Eckhart, Bela Fleck, Terry Bozzio, Giovanni Hidalgo, Ustad Zakir Hussain, Abbos Kossimov, Ray Manzarek of the Doors, Edgar Meyer and Airto Moreira to name but a few.

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